Whether you’re a complete beginner or a seasoned veteran, the promise of a piece of hardware that allows you to make professional-sounding music no matter your ability level is extremely alluring. But is the new model just a re-skinned version of eight-year-old hardware? Scott Wilson finds out if the Maschine MK3 is worth the cash.Įvery producer wants that one thing that does it all in the studio. If you’d like to get involved in shaping the future of MASCHINE, you can join the community of MASCHINE beta testers here.Native Instruments’ new Maschine is the most radical redesign to the controller since it transformed beatmaking back in 2009.
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MASCHINE 2.7 is coming in December and will be available to all MASCHINE 2 software users as a free download in Native Access. But this doesn’t mean you have to wait another year and half for the next surprise – and you’re going to find the next surprise is just right around the corner.” “So with audio, MASCHINE 2.7 is really just the beginning. That’s one of the next things to tackle.” “Say you want to capture something from an analog synth, or you’re playing guitar and you just want to record a few riffs and experiment with them later. “We’re working hard to record audio in Maschine’s workflow,” Chad adds. “And while the features might start small,” Chad continues, “this can help you because, as a user, you get time to learn the current state of the feature, rather than having to take weeks to learn a bunch of new features at once.” “We make a little bit, test it, find out what people need next, but keep the community updates coming.” “We’re actually taking an approach of doing things in small chunks,” says Chad. We really haven’t worked in this way before, and it gives us a fresh point of view.” Mario tells us what this looks like: “Instead of waiting until a feature is finished, we work on certain ideas and make them available, asking our community things like ‘How does it feel to work like this?’ Then we make changes and ask for another round of feedback. “You only hear the loop when you hit a pad, and you can actually change the melody of the loop while it’s playing just by using the pads.” He adds, “We got some really great feedback about this feature – a lot of people told us that they don’t have anything like this anywhere else and now they’re bringing in loops and experimenting.”Īll of these features are the direct result of a new collaborative approach to developing and testing with the MASCHINE community being involved deeply in the process from beginning to end. “Gate Mode is a really musical way of playing loops,” says Mario.
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The new software update also includes a feature called Gate Mode. After that, the Pattern behaves as it always has, whether it contains MIDI, audio loops, or a combination of both.” The Audio plug-in does the hard work for you. “Pre-cut loops will simply play in time with the project, no matter their speed, and they’ll adjust automatically to the project’s tempo changes. “There’s nothing new our customers have to learn here,” says Chad. The addition of real-time time stretching, coming in MASCHINE 2.7, illustrates this aim perfectly. So when we think about new features, one of the most important considerations is how these can be folded into the Maschine experience without adding any friction to the existing workflow.”
They just want to get their ideas out quickly. “They’ve learned the hardware and software inside and out. “For many of our customers, Maschine is an instrument at the heart of their creative workflow,” Chad continues. “But it’s just too much of a departure from the workflow that everyone currently has.” “We originally started going down this traditional audio track path,” Chad explains. In a nutshell, it’s about speed and spontaneity. This “Maschine way” that Mario refers to is crucial. “Everyone had different expectations about how they wanted it – but when we started talking with our customers, we found out that if we do it, we have do it in a Maschine way.” “A lot of people were asking for better integration of recorded audio,” adds Mario, Senior UX Designer.
“It sounds so good and is so fun to use, let me just stay here through the whole process.’” “For quite a while people have been coming to us and saying ‘hey, why can’t I just make all my music in Maschine?” starts Chad, MASCHINE Audio Product Owner.
Chad Carrier and Mario Altvater, from the software development team, explain the new features found in MASCHINE 2.7, how they came about in consultation with users, and why this new development approach will ensure a steady stream of exciting updates. In December, MASCHINE 2.7 will arrive and will include the first round of some highly-requested and anticipated features for playing loops with real-time time-stretching.
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